Archive for Film/Television

The City as a Character…

Most of us have a favorite city. New York, London, and Paris are high on most lists, but it could be any city. It becomes a favorite because we associate it with a visit, a person, or maybe even its skyline.

As a writer I’m interested in story telling but especially fond of those in which the city is not just a setting but a character. For example, it’s hard to think of anything by Charles Dickens’ – Bleak House, David Copperfield, Oliver Twist, even A Christmas Carol – where the city in not omnipresent and interactive. Fred Schwarzbach, author of Dickens and the City says, “He teaches us to read the city like a book.” read more

The Importance of Being Ernest…

My last post drew a number of interesting comments, especially Marilynn’s belief that Vladimir Nabokov’s Lolita could only have been written by someone who experienced or fantasized about what is described – a middle-aged professor’s sexual relationship with a 12-year-old girl. Jon Maksik, a very good writer friend, pointed out such a belief could only come from an inability to separate the art from the artist. And now we have Ken Burns’ three-part documentary on Hemingway.  read more

Lolita is Back…

Marilynn and I have been battling for years over the derivation and significance of Lolita, Vladimir Nabokov’s infamous 1955 novel. To refresh your memory, the first-person narrator is a middle-aged literature professor obsessed with a 12-year-old girl whom he nicknames Lolita and with whom he becomes sexually involved after marrying her mother. The premise is creepy, but the book is an acknowledged masterpiece of world literature often cited as one of the best books of the 20th century.

Our disagreement centers on her belief that the book could only have been written by someone who experienced or fantasized about what is described in its pages, while I think it’s a work of pure literary imagination. The Annotated Lolita unpacks my side of the story. The Nabokov text in The Annotated Lolita is 309 pages, but the book is itself is 455 pages, including Editor Alfred Appel Jr.’s 67-page introduction, 6 pages of bibliography, 6 pages of Nabokov notes, and 138 pages of annotations. Serious scholarship. read more

A Modern Adaptation…

A glooming peace this morning with it brings, The sun for sorrow will not show its head. Go hence, to have more talk of these sad things, Some shall be pardoned and some punished. For never was a story of more woe Than this of Juliet and her Romeo.

A Different Ending…

You can’t make it up. Or…maybe you can. A TV celebrity with a reputation for infidelity plays at being POTUS, the President of the United States? What could go wrong with casting like this? Could it possibly have a happy ending? Suspend your disbelief for a New York minute.

After a successful state dinner with the French president and his wife, but with his teenage child living in the White House, he pursues a woman, not his wife. They have sex. Headlines in all the papers. He refuses to comment. The press camps out at her apartment hoping to get a statement. read more