When I was a kid, cameras had become common and affordable. Brownie box cameras were the rage. My parents bought one, but rarely took pictures. There are a few of me as a baby, a gap of a few years, and a few more from my elementary school days.
When my mother died, I inherited the scuffed leather photo albums, pictures yellowing under acetate, that had been gathering dust in her bookcase. Now, they’re in a box under my desk along with more personal history – journals, notebooks, old letters, and other memorabilia.
As an only child, I’m always alone in those early pictures. Most were taken behind our house on Capitol Hill and might be seen as a posed series because of their similarity – all taken against the hedge backdrop in a corner of our backyard.
In one photo I’m dressed as a cowboy with chaps and sheepskin vest, six-guns, boots, and a cowboy hat. In another I’m a soldier with a helmet and rifle and yet another shows me in a baseball uniform with long socks and a choked-up bat.



















It’s sometimes difficult for us to accept America’s history of slavery and racism while we celebrate triumphs like Jesse Owens’ remarkable performance at the ’36 Games. Race does a credible job of showing the discrimination and indignities Owens suffered as he prepared for the Olympics and following his triumphant return to New York. In one touching scene he and his wife are prevented from entering the Plaza Hotel through the front door and directed to the service entrance in spite of the fact that the event they were attending was being held to honor him and celebrate his victories.


























